it is said that if you ask ten werewolves what a werewolf is, you will get eleven different answers
Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Thursday, 26 November 2015

The Werewolf Cinematic Timeline, Part III: 1970-1979

Hello everyone and welcome to what should probably be the analysis and review of The Wolfman, but is, instead, the third part of the Werewolf Cinematic Timeline!

Quite frankly, I have been taking much longer that I thought I would with the review, because I've been busy with many other things both in real and virtual life and so haven't had the time to enter the right mindset to sit down and continue writing. That's where the Werewolf Cinematic Timeline Part III comes in. The nature of this series of posts allowed me to keep working on the short summaries for the movies listed during short periods of time during which I was free to do something for the website. It was a pretty long process, too, because this time the number of titles increased to 28, compared with 17 titles included in Part II. It did not help that it was sometimes a little difficult to find information about the plots of some of the movies, so some extra digging was required here and there. Additionally, I was right in my assumption that I would have to cut Part III on year 1979, because there were just so many productions that came out in the 70s that the post would just be too long. Not that it's not pretty long as it is right now! So, all in all, I think sticking to the decade-by-decade division will be the best course of action.

Researching all these movies, year by year, has proven very educational for me, and a lot of fun, too. I hope that you who are reading this will also share in my experience and find something that will pique your interest. Enjoy!


1970


El Bosque del Lobo

An adaptation of a novel by Carlos Martinez-Barbeito, the movie is partially based on the life events of Manuel Blanco Romasanta, a 19th-century Spaniard who claimed that he was a werewolf after murdering many men, women, and children before he was brought to justice. The movie is said to very well portray the reality of the times, when criminal impulses were often easily misunderstood as symptoms of lycanthropy.




Los Monstruos del Terror
(The Monsters of Terror / Dracula vs. Frankenstein / Reincarnator / Assignment Terror)

The third instalment in the series of films about the werewolf Waldemar Daninsky, played by Paul Naschy. Aliens (yes, you heard it right) that run a travelling circus as a cover for their much more insidious plans decide to revive a werewolf (Count Daninsky, from whose body they extract the silver bullets he was shot with in the first movie in order to revive him), a vampire, a mummy, and Frankenstein's monster in order to use them to take over Earth. Their plan is to discover the reason why these monsters are so frightening to the inhabitants of Earth and then use them to conquer the planet. However, their plot is foiled by Daninsky, who single-handedly gets rid of the other monsters and subsequently blows up the aliens' base, after which he ends up shot with silver bullets fired by a woman that loves him enough to end his torment (AGAIN).

Nympho Werewolf 

(no poster available at the moment)

This is one of those movies that seems to have vanished from the pages of cinematic history. I remember hearing something or other about it ten years ago, back when my interest in werewolves was still new, but I have lost whatever information I might have had from that time and the only thing I could find so far is that this was a low-budget and low-quality Portuguese werewolf movie. I will post an update should I manage to find something more.

La Furia del Hombre Lobo 
(The Fury of the Wolfman / The Werewolf Never Sleeps)

The fourth movie in the series about Count Waldemar Daninsky, played by Paul Naschy. Although it was filmed in 1970, it wasn't released until 1972 because of problems its makers had to find a distributor. It is still classified as a 1970 movie, so here it will stay. Fury of the Wolfman presents a different origin story to that shown in Mark of the Wolfman of how Count Daninsky became a werewolf. Here, the Count travels to Tibet, where he is bitten by a yeti, which somehow causes him to become a werewolf. As a werewolf, Daninsky kills his wife and her lover, but then dies during his escape attempt. After that, he is revived by a mad scientist, who wants to use him in her mind control experiments. Additionally, she brings back to life Daninsky's wife, who is now a werewolf as well after her husband's fatal bite from earlier, and pits the two werewolves against each other. Daninsky kills his wife once again and is in the end shot dead by the scientist's assistant, who loves him (they could have really come up with a different end to each of these stories if they were to make sequels). 

La Noche de Walpurgis 
(The Werewolf vs. Vampire Woman / Werewolf Shadow)

The very successful fifth part in the series of movies about the werewolf Count Waldemar Daninsky, played by Paul Naschy, which picks up after the events of Fury of the Wolfman. Here, Daninsky is brought back to life after two doctors remove the silver bullets he was "killed" with in the previous movie while performing an autopsy on his (not-so-dead after all) body. As expected, the werewolf escapes from the morgue, killing the doctors on the way. He then returns home to his castle (the one from the first movie perhaps? But this is supposed to be a different continuity... I don't think there's any point in trying to make sense of all this...). This causes the townsfolk of the nearby village to start spreading rumours that a werewolf lives in the castle. While there, the count is visited by two women who are looking for the grave of a notorious murderess and, reportedly, vampire. Once they find her resting place, which happens to be in the vicinity of Daninsky's castle, they accidentally revive the vampire and become her servants. The werewolf count is then forced to battle and defeat the vampire, after which - you guessed it - he is shot dead (oh really?) by one of the mentioned women, who somewhere on the way has fallen in love with him.

Scooby Doo: Where Are You! episode 24: Who's Afraid of the Big Bad Werewolf

While Scooby Doo and the gang are out on a camping trip, they are startled by a wolf-like howl and glowing eyes watching them from inside the forest. They decide to investigate and find tracks of what they assume might be a werewolf. The tracks lead them to the empty grave of Silas Long, whose tombstone describes him as "half-man, half-wolf". The mystery deepens, as it now seems like they are facing not only a werewolf, but one that has risen from his grave.


1971


Beast of the Yellow Night

During World War II, the devil saves a man from death on condition that he become his servant and carry out his will for the next twenty-five years. As such, the man gains the ability to possess people and bring out the evil inside them. This evil, as it turns out, makes them turn into a hairy werewolf-like monster that stalks and kills other people.




Dr. Jekyll y el Hombre Lobo 
(Dr Jekyll and the Werewolf )

The sixth part of the series where Paul Naschy plays Count Waldemar Daninsky. Our protagonist (who, once again, is somehow alive after the previous film) sets out on a quest to find a cure for werewolfism. To this end, he visits the grandson of the famous Dr. Jekyll. The man gives him a serum that splits his personality similarly to Dr. Jekyll and Mr. Hyde. He hopes that this will subdue the werewolf inside the Count, but as it turns out it only leads to the creation of an even more savage monster.

O Homem Lobo
(The Werewolf)

(no poster available at the moment)

A Brazilian black-and-white film about an orphan boy who transforms into a werewolf at night during the full moon and causes panic among the inhabitants of a small country town.

Santo y el Blue Demon Contra Dracula y el Hombre Lobo
(Santo & Blue Demon vs. Dracula & the Wolfman)

Santo and Blue Demon - two of the most famous Mexican luchadores of the time - work with a couple of detectives to stop the grandson of Dr Frankenstein from performing wicked brain transplant experiments, which apparently involve turning someone into a werewolf.

Werewolves On Wheels

During a ride, a group of bikers comes across an old church, in which they decide to take shelter for the night. It soon is revealed that the church is home to a satanic cult, which drugs the bikers, making them quickly fall asleep. The same night, the cultists cast a curse on the biker leader's girlfriend, which makes her turn into a werewolf every subsequent night and one by one kill off other bikers every time they stop to rest for the night. Her curse soon spreads to her boyfriend. The two werewolves are eventually confronted by the gang in the movie's climax.




1972


Moon of the Wolf

The mauled body of a young woman is found by the police in a small Louisiana town of Marsh Island. Although she looks like she was killed by an animal, the woman's brother is convinced it was her boyfriend who murdered her. The local sheriff conducts an investigation and interviews the girl's dying father who warns him of the "loug garog" (which, later on, turns out to have been a mispronunciation of the French term "loup garou", meaning "werewolf"). Subsequently, he visits the plantation estate of a man and his sister, who are the last remaining members of their family. Asked about the night of the murder, the man answers that he suffered an episode of malaria and doesn't remember anything. After a couple more people are killed, the plantation owner's sister reveals to the sheriff that the curse of werewolfism runs in their family and that her brother has probably inherited it. In the end, she is forced to kill her brother once he turns into a werewolf during a full moon and tries to kill her.

The Rats Are Coming! The Werewolves Are Here!

This American production tells the story of a family of natural-born werewolves - the Moonies (hur, hur, hur), for that is their name - who live in rural England of the early 1900s. The father, who claims to be nearly two hundred years old, has spent many years researching possible ways to lift the family curse, but to no avail. When the youngest daughter returns home from medical school, she is hailed as the last and only hope for the family, because she is the only member of the family who does not turn into a werewolf during the full moon. However, as it turns out, she secretly has an agenda of her own and lifting the family's curse is just an excuse for pursuing her own goals.

El Retorno de Walpurgis 
(The Return of Walpurgis / Curse of the Devil The Black Harvest of Countess Dracula)

The seventh part of the saga of Count Waldemar Daninsky, the werewolf. This time, we once again are presented with a different origin story of how the count became a werewolf. Daninsky, a wealthy man who lives in his castle, one night kills a wolf on his castle's grounds. After death, the wolf transforms into a human and it is revealed that the werewolf was a member of a band of Gypsies that were camped nearby. When the news reaches the camp, one of the Gypsy women casts a curse on Waldemar for killing one of their brethren. The woman devises a plot to punish him and sends a beautiful young Gypsy to seduce the count, which she succeeds in doing. While he is asleep, the woman gives him a bite using a wolf's skull she managed to smuggle into the castle, and the count thus becomes a werewolf. In addition to this, it is revealed that one of Daninsky's ancestors was a member of the Holy Inquisition and was cursed to become a werewolf by a woman he sentenced to burn on a stake. Said woman is then revived and the confrontation between her and the werewolf Daninsky constitutes the movie's climax.


1973


Chabelo y Pepito Contra Los Monstruos

A Mexican comedy in which two young boys decide to sneak out of their boy-scout camping trip in search of treasure and adventure. They find a cave, in which (somehow) they end up surrounded by all the classic Universal Studios monsters, including Dracula, Frankenstein's monster, the Wolf Man, and the Creature from the Black Lagoon, who they have to all outsmart in order to not get eaten.


The Boy Who Cried Werewolf

A boy named Richie is taken by his divorced father to a desolate mountain cabin for a father-and-son weekend. During a hike at night, the two are attacked by a werewolf, which the father manages to kill, but not before being bitten. Upon examining the creature's body, it appears a human once again, so the father dismisses his son's ramblings about a monster. The local police cannot identify the body, so the man is labeled as a mad drifter and the case is quickly closed. Richie, however, insists that his father killed a werewolf, which makes his mother send him to a psychiatrist. As therapy, Richie returns to his father's cabin for another few days, during which the man unknowingly transforms into a werewolf (because, of course, it's the full moon at the time) and chases after him. Richie manages to escape and finds shelter for the night at a newlywed couple's camper. He tells them he saw a werewolf in his father's cabin, but they don't believe him. The next morning, Richie's father arrives at the camper and takes his son home. That night, expecting to see the werewolf again, Richie hides inside the cabin and witnesses his father turn into the monster from the day before. When the boy tells his mother that he's afraid to be alone with his father because he's a werewolf, another visit to the psychiatrist follows. The doctor advises that the whole family spend time together in the mountains and they agree, which leads to the movie's climax where everything, and more, is revealed.

The Werewolf of Washington

An American horror comedy which is a satire on a couple individuals from the surroundings of Richard Nixon during his presidency. A reporter, who happens to have an affair with the president's daughter, is sent to Hungary. While there, he is bitten by a werewolf and contracts lycanthropy. After returning to the US, he is given the position of the president's press assistant. Having discovered that he is a werewolf, the reporter tries to tell others about it, but nobody believes him. Needless to say, soon afterwards people start getting killed off by a mysterious creature.

Blood

(no poster available at the moment)

In the 1930s London, Dr. Orlovski, who is a werewolf, keeps a garden full of man-eating plants. He teams up with Count Dracula's daughter and together they release swarms of blood-sucking bats into the city, which transform its citizens into vampire-like monsters. As is to be expected, total chaos ensues.


1974



Scream of the Wolf

An adventure writer (played by Peter Graves) is called by the police to investigate a series of murders that the authorities can't solve. The murderer leaves no clear trail and the only clues around the scenes are wolf pawprints that end abruptly and turn into human footprints. Unable to solve the mystery, the writer recruits a retired big-game hunter to track down whatever preys on the local townsfolk. Together, they begin to suspect that the killer is more than just a human.



The Beast Must Die
(Black Werewolf)

This horror is perfect for those who enjoyed playing Cluedo as kids. A millionaire invites a group of people to spend some time at his mansion in rural England. Upon their arrival, he reveals that one of them is a werewolf and must be killed before he kills the others. The people are then subjected to various tests that aim to bring out the werewolf inside - these include touching silverware, being exposed to the light of the full moon (you'd think that would work, right?) and the scent of wolfsbane. When these experiments don't bring any results and people start dying, the mansion's owner becomes increasingly desperate in his search. He makes his guests undergo a final test - to place a silver bullet in their mouths. During this test, one of the women transforms into a werewolf and jumps at the host, who kills her by shooting her with a silver bullet. However, it turns out she is not the only werewolf in the mansion and that she contracted the curse accidentally. The hunt for the original werewolf begins and once he's found, he is killed by the millionaire, but the latter gets bitten in the process. Not wanting to become a werewolf himself nor infect anyone else with lycanthropy, the man returns to his mansion and commits suicide. The movie originally included a 30-minute break where the viewers were encouraged to guess who the werewolf is, but it was later re-released under the title Black Werewolf, in which the break was skipped.


1975


La Bête
(The Beast)

A French pornographic erotic fantasy horror which (loosely) tells the story of a noble family who have financially fallen on hard times. A light of hope appears when the head of the family's best friend, a wealthy businessman, offers to marry his daughter to the noble's son. Upon arrival, Lucy (for that is her name) questions the family about some rumours she heard about ghosts and monsters appearing in the estate's vicinity, to which she is told a story of Romilda who was said to have battled a beast in the local forest two hundred years earlier. On the night of the wedding, Lucy retires to her room and dreams that she's the Romilda from the story. In the dream, she follows a lamb into the forest, only to find that it has been torn apart by a black-furred werewolf-like beast. She runs away, but the beast follows, finally catching up to her. The two then proceed to have sex. Lucy wakes up with a start and goes to the room next to hers to check if her husband-to-be hasn't visited her, but she finds him fast asleep. She then returns to bed and keeps dreaming about making love with the beast, waking up and checking on her intended two more times. Eventually, her dream ends with the beast's death (apparently from exhaustion). When she visits her future husband's room for the final time, she discovers that he is lying on the floor, dead. Having raised alarm, everyone comes to inspect the body and it is revealed that the estate owner's son is the beast from Lucy's dream.

La Maldición de la Bestia
(Curse of the Beast / Night of the Howling Beast / The Werewolf and the Yeti / Hall of the Mountain King)

The eighth part in the saga of the werewolf Count Waldemar Daninsky (Paul Naschy). Similarly to how it was done before, this movie cuts itself off from the continuity of its prequels and provides a new origin story of the main character. A yeti also appears in this one, but, unlike in the Fury of the Wolfman, is not related to Daninsky's lycanthropy. Instead, here the count becomes a werewolf after he is bitten by two female vampires (somehow, this works). Daninsky travels to Tibet in search of the yeti and is captured by two vampire women who turn him into a werewolf. In the movie's climax, he is pitted against a yeti, but fights it only briefly. This, in addition to an increased amount of nudity and gore than in the other movies in the series, disappointed the fans and Paul Naschy did not return to the silver screen as Count Daninsky for the next five long years.

Werewolf of Woodstock

A farmer who hates hippies tries to destroy some leftover equipment when Woodstock ends. As a result, he is electrocuted, which turns him into a werewolf (don't ask me how that works...). Now, every time there is a thunderstorm, the farmer transforms into a hairy beast and stalks the vicinity. Meanwhile, a band of hippies arrives in Woodstock to record their album on the famous stage so they can boast about it on the album's cover. While there, they come across the werewolf, who first attacks their dog and then abducts one of the girls and locks her up in an abandoned building. Subsequently, the farmer-werewolf also kills the local policeman and a doctor, so the authorities finally take notice. Two officers sent to investigate the scene soon figure out that the culprit is a werewolf and, in order to dispatch the beast and save the kidnapped girl, try to lure it out in the open using rock music, which it so much hates. The plan fails, however, and the werewolf escapes with the girl and heads for the nearby power station, where, after a struggle, it is put to rest with a silver bullet.

Legend of the Werewolf

Incorporating some elements of Guy Endore's novel The Werewolf of Paris, this British horror film tells the story of an orphan boy who is raised by wolves and eventually is taken in by a travelling circus and put on display as a "Wolf Boy". Once he grows up, the boy kills one of the troupe's members during a full moon and flees to Paris, where he finds a job as a zookeeper. While there, he develops a crush on one of a group of prostitutes that regularly visit the zoo. Meanwhile, he  transforms into a werewolf during the full moon and starts murdering the locals. One night, he visits the brothel where his crush works and sees her with a client, which angers him to the point that he transforms into a werewolf and kills the client and wreaks havoc at the establishment. Rejected by the prostitute, the werewolf kills even more visitors of the brothel. Soon after, a police surgeon (played by Peter Cushing) starts following the trail of murders and aims to catch what he thinks is a wolf that has escaped the local zoo.


Nazareno Cruz y el Lobo
(Nazareno Cruz and the Wolf)

The story of this movie is based on the Guarani monster of legend, the Luison, which over time, with the arrival of European settlers in America, gradually lost many of its original traits and took on the characteristics of the werewolf. The titular character is a young farmer who lives in the countryside. Just like the Luison, he was unfortunate enough to be born as the seventh son of his parents and so is widely regarded as a victim of the werewolf curse by the townsfolk. As he grows up, Nazareno falls in love with a girl named Griselda. When he turns twenty, however, the Devil appears before him and tells him that his curse is real and that he will turn into a wolf during every full moon. He gives the boy an ultimatum: if  he gives up his love for Griselda, his curse will be lifted. Nazareno refuses to do so and becomes a werewolf during the full moon and starts murdering people.


1976


La Lupa Mannara 
(Wolf Woman / The Legend of the Wolf Woman / She-Wolf / Terror of the She Wolf / Naked Werewolf Woman)

A girl who is a rape victim develops a hatred for men. As she grows up, she finds out she resembles one of her ancestors who is said to have been a werewolf. The girl then starts having dreams about being said ancestor and turning into a werewolf, so she is taken to a psychiatrist by her father. The psychiatrist concludes that Daniela may be suffering from lycanthropy (the medical condition). When Daniela's sister returns home from her studies, the woman seduces her sister's fiancee and lures him into the woods, where she kills him by ripping his throat out with her teeth. Driven insane by this, Daniela is put in an asylum, from which she escapes, however, after killing another patient. On her way, she murders another woman and then a man that tries to rape her. The authorities begin to connect the woman with the murders and set out to find her, but she is first found by a man who is so unlike the other men Daniela has met in her life that she falls in love with him. However, their happy days end when the man is killed by three burglars who break into their house and then rape Daniela. Soon after, she takes her revenge on them by ripping their throats out. Later on, she is found and captured in the forest by police officers and medical staff, and locked away in an asylum for the rest of her life.


1978


Death Moon

Due to work-related stress, a man is sent on forced vacation by his doctor. He chooses to visit Hawaii, as that's where his grandfather worked as a missionary. Once there, he finds out that his grandfather, as well as all his male descendants were once cursed by a local tribe practising Voodoo magic. The said curse makes our protagonist transform into a werewolf at night, in whose shape he begins murdering young women on the island.





1979


Wolfman

Colin Glasgow returns to his ancestral home after the death of his father. He soon learns that his family has been cursed and that his father and grandfather were werewolves and that he is next in line to become the curse's victim. He finds out that it was the local reverend, who is a member of a satanic cult, that put the curse upon his family, so he sets out on a mission to kill the reverend and free himself and his line from the fate of becoming werewolves.
O Coronel e o Lobisomem
(The Colonel and the Werewolf)

Based on the romance novel of the same title by Jose Candido de Carvalho, this Brazilian movie (which was apparently remade in 2005) tells the story of Ponciano, who inherits his father's plantation after the latter's death and is made a colonel. However, he soon feels too lonely and decides to travel to the city, where he partakes in the pleasures of life. As a result, he spends the entirety of his father's fortune, which leads him to lose his sanity. He goes back to the plantation, where, with an imaginary gun in hand, he battles many fantastic imaginary enemies, including a werewolf at the end.

* * *

And that is that for the third part of the Werewolf Cinematic Timeline! As always, if I come across something that is werewolf related that I haven't listed here, I will come back and update the post. In the meantime, I hope that it will take me less than a whole month (oh dear, has it really been that long?) to post something in the nearest future. That said, I'm not sure what the next post will be about, but if it's another part of the timeline, then I will be tackling the 80s, when werewolf movies were even more popular than in the 70s. Meanwhile, have a happy Thanksgiving and see you next time!


Wednesday, 21 October 2015

The Werewolf Cinematic Timeline, Part II: 1950-1969

Hello and welcome to the second part of the Werewolf Cinematic Timeline! 

First of all, I would like to thank everyone who has visited my blog over the past three years. We have officially broken 140,000 pageviews (almost 141,000 now, actually)! It is quite a milestone, seeing as only recently have I returned to actively posting content, so I am very grateful to each and every one of you guys. You rock! :D

But let's get back to our timeline. Below you will find a list, along with some (mostly) colourful posters and short plot summaries, of werewolf movies and movies that feature werewolves in one way or another that came out between the 1950 and 1969. Compared to the earlier years, we can already notice a significant increase in the number of such productions. Because of the size of this post, I had to back down from my original plan of including movies from 1950 all the way to 1979 and instead stop ten years earlier. So off we go!


1956


The Werewolf

In the remote Californian town of Mountaincrest, a beast is on the loose, killing people. The locals find footprints that suddenly turn into pawprints and decide that any further investigation should be left to the law enforcement. Meanwhile, the protagonist, Duncan Marsh, wakes up naked in a drainage opening, with no recollection of what happened or even what his name is. As it turns out, he is a victim of two mad scientists, who rescued him from a car accident and, taking advantage of his condition, injected him with irradiated wolf blood, which, as a result, turned him into a bloodthirsty werewolf.





1957


I Was a Teenage Werewolf

Tony (Michael Landon) is a distressed teenager who basically has anger management issues. Every so often, he gets into fights with his colleagues, which causes him a lot of problems at school. After one such fight, Tony attracts the unwanted attention of the local police department. The officer in charge breaks up the fight and advises Tony that he seek help of a local psychologist. Said psychologist, Dr. Brandon, specialises in hypnotherapy. When Tony decides to visit him, Brandon agrees to treat him, but he has an agenda of his own. Wanting to advance his scientific career, Brandon injects Tony with a serum and convinces him that he’s a werewolf. As a result, Tony undergoes not only a mental, but also a physical change at certain times (e.g. he transforms at the sound of a ringing bell), which makes him start killing locals. Realising what he’s become, Tony seeks help to get out of this new predicament.


1958


El Castillo de los Monstruos 
(The Castle of the Monsters)

A Mexican horror comedy directed by Julian Soler. El Clavilazzo – a Mexican funnyman – falls in love with a seamstress by the name of Beatriz. When Beatriz is kidnapped by a mad scientist that has been producing monsters based on the classic Universal Studios monsters in his nearby castle, our protagonist has no choice but to rescue her. Along with friends, he finds his way into the castle and in one way or another does away with all the monsters, including a werewolf, a mummy, a vampire, a Frankenstein’s monster-wannabe, and a fish-man similar to the Creature from the Black Lagoon. He manages to save his beloved, while the mad scientist meets his end at the hands of his hunchback assistant after the latter turns on him.

How to Make a Monster

Yet another cross-over featuring a wolf-man and Frankenstein’s monster, although a bit differently than before. Pete Dumond, our protagonist and chief villain, is a make-up artist that has worked on horror movies for the last twenty-five years of his life. When the studio he’s been working for is bought by a company that wants to make musicals and comedies instead of horror movies, Pete loses his job (and, arguably, his sanity). He vows to take vengeance on the new owners by using the monsters of his own creation as tools. To this end, he blackmails and hypnotises two actors so that they think they actually are the characters they’re playing (Teenage Werewolf and Teenage Frankenstein). In full werewolf and Frankenstein’s monster’s make-up, the two become Pete’s tools of destruction. No genuine werewolf here, it would seem, but I thought this movie was worth mentioning nevertheless.


1960


La Casa del Terror
(House of Terror)

Another Mexican horror comedy. These seem to have been quite popular at the time, didn’t they? A night watchman at a wax museum of horrors is being experimented on by his boss, the Professor – while he sleeps on the job, the Professor takes some of his blood and uses it in his experiments that are meant to bring back the dead to life. To cover his misdeeds, the Professor covers all his failed experiments in wax and places them on display in the museum. When he hears about a mummified body discovered in an Egyptian sarcophagus, he decides to steal it with the help of his two henchmen. Back at his lab, by utilising lightning in the traditional Frankenstein manner, he finally succeeds in bringing the corpse back to life. However, when the full moon rises in the sky, the reanimated dead man transforms into a werewolf, escapes the laboratory and goes on a rampage through the city.


1961


The Curse of the Werewolf

Based on the novel The Werewolf of Paris by Guy Endore. Set in 18th century Spain, the movie starts with a beggar becoming imprisoned by a cruel marques for uttering inappropriate remarks at his wedding. The beggar spends the next fifteen years in prison, tended to only by the jailer and his beautiful daughter. In time, the marques sets his sights on the jailer’s daughter, but when she rejects him, he has her thrown into the same cell as the beggar. The beggar, who’s lost his sanity due to years of imprisonment, rapes her, which results in her becoming pregnant. Given the opportunity, the girl escapes, kills the marques and hides in the forest. There, she is found by a man and his housekeeper who nurse her back to health, but she dies eventually anyway after giving birth to a son on Christmas Day (a bad omen that in some folklore meant the child will become a werewolf). Indeed, thirteen years later, the boy undergoes a transformation and starts killing people, the only thing that can supposedly prevent this change being the presence of the girl he’s fallen in love with. Unable to marry her and imprisoned on suspicion of murder, the boy changes into a werewolf and goes on a killing spree until he is killed by a silver bullet shot by his step-father.

Frankenstein, el Vampiro y Cia 
(Frankenstein, the Vampire, and Company)

A Mexican remake of Abbot and Costello Meet Frankenstein from 1948 (discussed in Part I of our Timeline). The plot is practically identical to the original Universal Studios production, so there is not much for me to say here.





1962


Lycanthropus
(Werewolf in a Girls' Dormitory)

An Italian take on the subject of werewolves. A creature resembling a wolf-man starts killing young women at a school for girls. The newly-hired science teacher becomes the prime suspect of being a werewolf.





1964


Face of the Screaming Werewolf

Dr. Cowan Redding is a psychologist specialising in hypnotic regression. During one such session, he discovers that one of his patients is a reincarnation of an Aztec woman. Thanks to what he can uncover from her memories, the doctor is able to lead a team of archaeologists into a hidden chamber of the Great Pyramid of Yucatan. Instead of expected Aztec treasure, inside they find two mummified bodies, one of which (somehow) appears to still be alive. Once the two bodies are transported back to the city, however, Dr. Redding is killed by a rival scientist who steals one of the recovered mummies. He manages to resurrect it, only to find out that it’s a werewolf. The creature breaks free from the lab, while at the same time the other mummy (the live one) escapes from where it was being held. The two mummies face off against each other in the streets of the city. What is worth noting is that the werewolf mummy was played by Lon Chaney, Jr. (through the use of footage from 1960’s La Casa del Terror), this being his last film role as a werewolf.


1965


La Loba 
(The She-Wolf / Los Horrores del Bosque Negro)


A beautiful young Mexican woman from a rich family suffers from a curse that makes her transform into a wolf every night. She starts seeing a doctor, hoping that he can help her lift the curse. When it turns out that he is also a werewolf like her, the two fall in love with each other and from now on murder people by night together. Their killing spree eventually comes to an end when become the prey of a hunting dog trained specifically to kill werewolves.

Dr Terror's House of Horrors

Starring Peter Cushing and Christopher Lee, this film tells the story of five men who board a train carriage from London to Bradley. They are joined by a sixth man, a mysterious Dr. Schreck (whose name in German translates to ‘terror’, hence the first part of the movie’s title) who offers to tell his companions their fortunes using his deck of Tarot cards, which he calls the ‘House of Horrors’. Each time he draws a card, he tells one of the five men a story about the fate that lies ahead of them. One of those is a story about a werewolf that one of the travellers will come across in the future.

Orgy of the Dead

An erotic horror directed by Ed Wood on the basis of his own novel. A young couple is looking for a cemetery at night, hoping that the setting will bring inspiration to one of them who is a horror screenwriter. They have a car accident, but nevertheless eventually manage to find the cemetery, where they witness a scene that can be best described as danse macabre – the so-called Emperor, a powerful demon (perhaps Death itself?), summons the souls of the damned to dance for him. Among his lackeys are a werewolf and a mummy, who discover and capture the couple. The demons argue about what they should do with them and in the end the couple is saved by the first rays of sunlight of the dawning day. Subsequently, they wake up at the scene of their car accident, which suggests that everything that happened was just a dream.


1967


Mad Monster Party

Staring Boris Karloff, famous for his portrayal of Frankenstein’s monster in 1931’s Frankenstein,  as Baron Boris von Frankenstein (we see what you did there, movie), this production is a stop motion animated comedy featuring numerous classic Universal Studios monsters and more. Karloff’s character orders his assistant, Francesca, to send out invitations to all known monsters for a party he will be hosting on his Isle of Evil. Once they’ve all arrived, Baron Boris announces his plans to retire as the head of the ‘Worldwide Organization of Monsters’ and names his nephew, Felix, as his successor, much to Francesca’s dismay. He also reveals that he’s developed a secret formula for total destruction. The monsters decide to get rid of Boris’s successor and steal the formula for themselves, but are prevented from doing so by the arrival of one monster that’s not been invited - a King-Kong-like giant gorilla. While the gorilla wreaks havoc on the island, Felix and Francesca escape by boat, while the Baron, furious with the monsters for wanting to kill his nephew and steal the formula, drops the vial with the destructive compound and annihilates the island along with himself and all the monsters on it.

Dr Terror's Gallery of Horrors
(Return From the Past)

Just like Dr. Terror’s House of Horrors from 1962, this low-budget movie is an anthology film, meaning that instead of having one plot-line, it tells several shorter stories in succession. Due to the uncanny similarity of its title to the 1962 production, it has been released under many different names over the years. John Carradine plays the Narrator who tells five horror stories, each with a humorous twist ending. The last one, ‘Count Alucard’, is a variation of Bram Stoker’s Dracula and possesses a twist ending in which it turns out that Jonathan Harker is a werewolf.


1968


La Marca del Hombre Lobo 
(Mark of the Wolfman / Frankenstein's Bloody Terror)

Thanks to his role as Count Waldemar Daninsky – a werewolf – in this movie and its many sequels over the next thirty-odd years, Paul Naschy gained fame in the film industry as Spain’s Lon Chaney, Jr. The movie opens up with a drunken Gypsy couple who decide to spend the night at the abandoned Wolfstein castle. While there, they discover the tomb of its owner, Imre Wolfstein. When they remove the silver cross that was buried with him, the man – who turns out to be a werewolf – rises from the dead, kills the couple, and proceeds to go on a rampage through the nearby village. Blaming ordinary wolves for the attack, the villagers organise a hunting party to track down the animals. During the hunt, one of the members of the party, Count Waldemar Daninsky, is attacked by the werewolf Imre and becomes afflicted with werewolfism. Once he transforms, he starts killing people. Realising this, he seeks help from a pair of doctors, who eventually turn out to be vampires. Instead of helping Daninsky, the two nosferatu resurrect Imre Wolfstein and pit the two werewolves against each other. Daninsky manages to defeat Wolfstein, kills the vampires, but in the end is shot dead by a woman who loves him.

Las Noches del Hombre Lobo 
(Nights of the Werewolf / Nights of the Wolfman)

(poster unavailable)

Widely regarded as the second film starring Paul Naschy as the famous Count Waldemar Daninsky, it is a cinematic mystery of its own. The reason for this is that it is uncertain whether or not the script for this movie was at all filmed, since it was never theatrically released nor was it ever released on video. The only person who maintained that it was actually filmed was Paul Naschy himself. It is possible that he made the movie up to boost his popularity. The little that we know of the supposed plot is that Count Daninsky was supposed to become a guinea pig for a mad scientist who learns how to manipulate him using sound waves and uses him to achieve his personal goals (namely, revenge, as usual). Some people suggest that, owing to the great similarity of the storylines, this film somehow became the later Fury of the Wolf Man, but it is all just speculation. Adding to the confusion, another film of Naschy’s, El Retorno del Hombre Lobo, was released on DVD under the title Night of the Werewolf, but of course the two have nothing to do with each other whatsoever.


1969


Blood of Dracula's Castle

A photographer inherits an old castle from his late uncle. However, it turns out that the castle has been rented for over half a century by an old couple who look surprisingly young for their age – Count Townsend and his wife. It is then revealed that Count Townsend is, in fact, Count Dracula and that he and his wife use the castle as their hideout, to which they lure young girls who they then drain of blood for sustenance. In time, they are joined by their old acquaintance, Johnny, who has broken out of prison. The thing about Johnny, though, is that during the full moon, he goes berserk and turns into a werewolf-like monster. When the photographer and his fiancée visit the castle, the vampires and their lackeys devise a plan to do away with them in order to keep both the castle and their secret to themselves.
 
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And that's another seventeen movies listed! I have to say, it took me longer than expected to finish this part, as I've been a little busy in real life. Still, please stay tuned for Part III, which will present movies from 1970 to 1989 (at least, like always, that is the plan). And there is quite a lot of them during that period, so it might take me a while to compile all the descriptions ;) I might actually cut the list for the next part to just ten years, because otherwise the post will most likely stretch all the way down to the South Pole. As a comparison, the above included 17 movies. The number of productions that were made between 1970 and 1980 alone equals 29 (give or take). Between 1980 and 1990, we are looking at around 38 productions, so the post would have to contain 58 entries. Yeah, now that I've given it some thought and did some simple math, I think making Part III include movies between 1970 and 1980 the better option.

Anyway, the next time I post something it will probably be full moon, so it will be time for this month's Werewolf Movie Review. As promised, this time we take a look at the remake of The Wolf Man from 1941, which was featured as last month's review. That said, I will see you again soon!

Friday, 16 October 2015

The Werewolf Cinematic Timeline, Part I: 1913-1949

Hello werewolf fans!

A long, long time ago (twelve years ago to be exact), there was a website about werewolves that had a huge list of werewolf movies from the very beginning to what was then the present. From what I know, the website hasn’t been around for a long time, since it disappeared from the waves of the Internet ocean still during the time when I was writing posts on my first blog as a teenager. And so, with Werewolf Theory reborn, I decided to scrape up what I had once saved from the mentioned website, revise it with my own knowledge of werewolf cinema and make a giant list of my own for all those interested to see. Because of its size, I’ve decided that it will be a good thing to split it into parts. The first part, which is this post, will cover productions from the year 1913 up to and including year 1949. The subsequent parts have their time-span yet to be determined, depending on the size of each post. The lists will mostly feature werewolf movies, but in some cases they will also list productions that are not strictly werewolf-themed, but in which werewolves have appeared for longer than just a cameo. For those I have the Werewolf Cameos series of posts. Anyway, I hope you find this list of mine informative. Enjoy!


1913 


The Werewolf

Regarded as the first ever made werewolf movie and the earliest of Universal Pictures monster movies, this silent film short tells the story of an Indian woman who becomes a witch and passes her knowledge of witchcraft to her daughter. The girl transforms into a wolf and carries out vengeance against white American settlers. The film is considered lost since it was supposedly destroyed in a fire at Universal Studios in 1942.




1923

Le Loup-Garou

A French silent film whose premise revolves around a priest who is murdered and curses his killer so that he transforms into a wolf. The werewolf begs God for forgiveness for what he has done, but instead of the curse being lifted from him, he is struck and, as a result, killed by lightning.






1925


Wolf Blood
(Wolfblood: A Tale of the Forest)

A silent film starring, and directed by, George Chasebro. It tells the story of Dick Bannister, who becomes the new field boss of the Canadian Ford Logging Company. At the time, the company is waging a private war with a rival logging company. When the conflict turns bloody, Dick is wounded and loses so much blood that he requires a transfusion. Since no human wants to volunteer, Dick is given the blood of a wolf. Medical probabilities aside, soon afterwards Dick starts having dreams of running with a pack of wolves, while the rival loggers begin dying to wolf attacks. Subsequently, his fellow lumberjacks come to the conclusion that Dick is a werewolf.



1932


Le Loup Garou 
(Werewolf)

The first sound film to feature a werewolf. Directed by Friedrich Feher and based on Alfred Machard’s novel Der Schwarze Mann, the movie has been lost to time. 


1935


Werewolf of London

The first mainstream Hollywood werewolf movie by Universal Studios. Wilfred Glendon (Henry Hull), a renowned English botanist, travels to Tibet in search of a rare mariphasa plant. While there, he is bitten by a werewolf and starts to transform himself during the next full moon. It turns out that the mariphasa plant can be made into a temporary antidote for lycanthropy, but when the flower does not bloom, Glendon goes on a killing spree through the streets of London. He tries to isolate himself from other people, but the beast within seems to always find a way to escape its confinement.



1941


The Wolf Man

The first of many movies featuring Lon Chaney, Jr. as the Wolf Man. Larry Talbot (Lon Chaney, Jr.) returns from the USA to his hometown after the unexpected death of his brother and reunites with his father. One night, as he fends off an attack by what he thinks is a wolf, he is bitten by the animal that turns out to have been a werewolf. Soon, Larry starts changing into a wolf-man and prowls the nearby woods in search of his next victim.
My analysis & review of the movie: [here]


1942


The Undying Monster 
(The Hammond Mystery)

The Hammond family has been cursed with lycanthropy since the times of the Holy Crusades, but the only thing the public knows is that its members have been dying under mysterious circumstances or committing suicide. When two people are attacked by an unknown creature, Robert Curtis (James Ellison) and his partner Christy (Heather Thatcher) are sent to investigate the crimes and find a rational explanation for what the locals believe to be a result of the Hammonds’ family curse. When the monster kidnaps a woman, the police chase it down and shoot it, revealing that the creature responsible for the attacks was a werewolf member of the Hammond family.

The Mad Monster

Dr. Lorenzo Cameron is a mad scientist seeks revenge on his peers by developing a serum made from a wolf’s blood that turns his gardener (and test subject) into a bloodthirsty wolf-man. He then uses the wolf-man to kill the fellow scientists that ridiculed his beliefs and made him lose his job at a university. A newspaper reporter begins to investigate the killings and he begins to suspect the scientist of being the culprit. In the end, the wolf-man turns on his master and kills him, while the laboratory burns down, burying all the evidence of what has really happened.



1943


Le Loup des Malveneur

A French film directed by Guillame Radot. Similarly to the family from The Undying Monster, a curse hangs upon the Malveneur family – its first-born male members are doomed to transform into wolves by night. Once a family of hunters, they are now the hunted monsters. The last member of the family, who happens to be a scientist, conducts mysterious experiments in order to find a cure and revive his ancestors. Once people start disappearing, a detective is sent to investigate. The movie incorporates themes from both Arthur Conan Doyle’s The Hound of the Baskervilles and Mary Shelley’s Frankenstein.

Frankenstein Meets the Wolf Man

The sequel to 1941’s The Wolf Man. On the night of a full moon, graverobbers break into the Talbot family crypt, where Larry Talbot was laid to rest after the events of The Wolf Man. When they remove the wolfsbane that was buried with him, the full moon’s light revives Larry, to the horror of the graverobbers. He escapes and travels to the remains of Dr. Frankenstein’s castle, where he hopes to either find a way to cure himself of lycanthropy or permanently end his life. It is there that he comes across Frankenstein’s monster.



1944


The Return of the Vampire

An unofficial continuation of Bela Lugosi’s version of Dracula from 1931, where Lugosi plays Count Dracula in all but name. Generally speaking, this is a vampire movie, so I’m not going to write a summary of it. The reason why it’s on this list is the fact that the titular vampire’s servant is a werewolf, whose lycanthropy is somehow bound to his master’s existence, for when the vampire is killed with a stake, the werewolf returns to his human form. After the vampire is revived, however, he becomes a werewolf again and once more serves his master.

The Three Stooges: Idle Roomers

A short film featuring the American slapstick comedy team, the Three Stooges. In it, the trio work as bellboys at a hotel where they are trying to win the affection of an attractive female guest. It turns out that the woman’s husband has somehow smuggled a wolf-man into the hotel. Lupe the Wolf Man, for that’s his name, goes berserk whenever he hears music, so when one of the bellboys turns on the radio while cleaning his room, all hell breaks loose.

House of Frankenstein

Another movie with Lon Chaney, Jr. in the role of the Wolf Man, this movie continues the story from 1943’s Frankenstein Meets the Wolf Man. Dr. Gustav Niemann (played by Boris Karloff) seeks revenge on Burgermeister Hussman, who once caused his imprisonment. He visits the flooded ruins of Frankenstein’s castle and finds Frankenstein’s monster and the Wolf Man frozen in the water. He thaws the two of them out and promises to help Larry Talbot find a cure for his lycanthropy. He is not one to keep his promises, however, and Larry transforms into a wolf-man and starts killing people. Eventually, Larry is shot with a silver bullet by a Gypsy girl who has fallen in love with him.

Cry of the Werewolf

Based on a story by Griffin Jay, the movie tells of a Romani princess supposedly descended from Marie La Tour, an 18th century French noblewoman. She has the ability to transform into a wolf - a trait she inherited from her mother. When she learns that the location of Marie La Tour’s tomb has been discovered, she decides to kill everyone privy to this information, because it is considered a sacred place whose whereabouts are to be known only to her family.




1945


House of Dracula

Yet another Universal Studios production that puts Dracula, Frankenstein’s monster, and the Wolf Man together on one screen. Once again, this movie continues the story of its predecessor, House of Frankenstein from a year before. Count Dracula (John Carradine) comes to the fictional town of Visaria to meet with Dr. Edelmann, saying that he is looking for a cure for vampirism. At the same time, Larry Talbot arrives at the castle (wait, didn’t he get shot in the previous film?) and wants Edelmann to develop a cure for his werewolfism. The doctor claims that Talbot’s transformations may be caused by pressure in his brain - and not by moonlight - and undertakes the task of curing him. Eventually, he succeeds in curing Larry of werewolfism by relieving the pressure in his skull (yeah right), but while trying to cure Dracula, he becomes a vampire himself.


1946


She-Wolf of London 
(Curse of the Allenbys)

Phyllis Allenby is a content noblewoman who is about to be married to an aristocratic lawyer. She lives in her family’s manor in London with her aunt, cousin, and a servant. Suddenly, people start being killed at the local park, their throats ripped by what seems to be a wild animal. Rumours about werewolf attacks spread through the city and some people claim to have seen a “she-wolf” emerge from the Allenby manor and head for the park. At the same time, Phyllis wakes up with blood on her hands, unable to remember what happened the previous night. She starts believing that she is the female werewolf responsible for the murders, affected by the legendary curse of the Allenby family.


1948


Abbot and Costello Meet Frankenstein

Abbot and Costello were the most popular American comedy duo in the 1940s and early 1950s. This movie was the first of a number of productions in which the two comedians come across classic Universal Studios monsters. Here, Abbot and Costello play two baggage clerks, Chick and Wilbur, respectively. They are contacted by Larry Talbot (Lon Chaney, Jr.) – who, for some reason, is once again a werewolf (so much for that brain pressure relieving therapy, I guess) – who tries to warn them that a shipment they’re handling is dangerous because it contains the bodies of Count Dracula (Bela Lugosi) and Frankenstein’s monster (Glenn Strange) en route to McDougal House of Horrors. As we can expect, Dracula awakes upon arrival and devises a plot to revive Frankenstein's monster and replace its brain with that of Wilbur’s. Together with Larry Talbot, the two comedians have to act to stop Dracula’s plans.

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And that would be it for Part I of the Werewolf Cinematic Timeline. Phew, I have to say it took me a while to get all these short summaries together. I actually had to cut the post earlier than planned, because it was getting too long. Stay tuned for Part II, which will list productions from 1950 up to and including 1979 (at least that’s the plan), where their numbers begin to visibly increase. See you next time!